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Countdown of my top 101 Neil Young songs. Now with entries 102-204, notable covers and other stuff (3 Viewers)

Thanks for putting this thread together, I'm enjoying it. Where does Le Noise rank for you? It's my favorite album he's put out in the last 20 years. Nothing like Young stripped down and alone. Brilliant production on that album as well. 

 
Thanks for putting this thread together, I'm enjoying it. Where does Le Noise rank for you? It's my favorite album he's put out in the last 20 years. Nothing like Young stripped down and alone. Brilliant production on that album as well. 
I like it, and think it’s better than most of the stuff that he’s put out in the last 20 years, but it’s not a favorite. I hadn’t listened to it much between its release and doing this project.

 
36. The Needle and the Damage Done (Harvest, 1972)
Neil's feelings about and commentary on the seedier side of the counterculture didn't just surface during the "ditch trilogy." It was right there on his most popular album. Neil was witnessing his close friend Danny Whitten of Crazy Horse deteriorate from heroin addiction, and this song was his reaction. "I sing the song because I love the man / I know that some of you don't understand." No one wanted to hear this message in 1972, but Neil knew it had to be heard. He wrapped it in a gorgeous melody so people would listen, and they did, making this one of his most beloved songs.

Harvest version: https://www.youtube.com/watch?v=49M10VIXPk4&feature=youtu.be

Live at Massey Hall 1971 version: https://www.youtube.com/watch?v=bSGVUo1QZhQ

Johnny Cash Show TV appearance (1971): https://www.youtube.com/watch?v=k0t0EW6z8a0

Songs for Judy version: https://www.youtube.com/watch?v=cpmJ7b-vIoY

Live Rust version: https://www.youtube.com/watch?v=1D8aaFoM4TI

Live Aid version (1985): https://www.youtube.com/watch?v=JQplilh0RP8

1989 SNL appearance (first part of video): https://www.youtube.com/watch?v=xiey2l4mLBc

Unplugged version: https://www.youtube.com/watch?v=Hd3oqvnDKQk

Solo electric version from 1996: https://www.youtube.com/watch?v=o8MPY7Jgrlw

Pretenders cover (they closed their set with this when I saw them open for Neil in 2000; if there's anyone else who earned the right to sing this, it's Chrissie): https://www.youtube.com/watch?v=teq1P0JJa3E

Pearl Jam cover: https://www.youtube.com/watch?v=Hiy9vW25bzs

Jewel cover (on the Howard Stern Show): https://www.youtube.com/watch?v=teq1P0JJa3E

Dave Matthews cover: https://www.youtube.com/watch?v=SSxpoYiLcDQ

Greg Allman/Warren Haynes/Derek Trucks cover (Gregg Allman also earned the right to sing this bigly): https://www.youtube.com/watch?v=O6Cfqe90NMs

Flea cover from Lollapalooza 1992: https://www.youtube.com/watch?v=6vHB0g6e4wM

Tori Amos cover: https://www.youtube.com/watch?v=LMhzZW967YA

Simple Minds cover (this is ... different): https://www.youtube.com/watch?v=XIU2t8QuEIY

Our Lady Peace cover (this is ... also different): https://www.youtube.com/watch?v=1otngu-8dL0

Marcy Playground cover: https://www.youtube.com/watch?v=FxNV7K_o96Q

Seether cover: https://www.youtube.com/watch?v=Xybm8XPcS_0

Cross Canadian Ragweed cover: https://www.youtube.com/watch?v=waHi40DtTVg

As we get higher into the countdown, there are more notable Neil performances and covers, which is making these posts take longer to do. Not an issue this week since I'm on "vacation" but I may need to do some "prelinking" as well as prewriting. 

 
Thanks for putting this thread together, I'm enjoying it. Where does Le Noise rank for you? It's my favorite album he's put out in the last 20 years. Nothing like Young stripped down and alone. Brilliant production on that album as well. 
Thinking more about this, I think the issue is that I perceive the production decisions to be as much a gimmick as anything else. I don't think the format improves the songs. I feel the same way about the Jack White thing (Letter from Home). 

But the songs are mostly good and among 2000-and-beyond albums, I'd rank only Silver and Gold, Chrome Dreams II, Psychedelic Pill and maybe Prairie Wind ahead of it. 

 
41. Change Your Mind (Sleeps with Angels, 1994)
Coming off the Freedom/Ragged Glory/Harvest Moon run that revived his career, Neil's Sleeps with Angels was equally heralded upon its release in 1994. Unfortunately IMO it hasn't held up as well as the others. Many of the songs feel abstract, while Neil is at his best when he's concrete and direct. And frankly some of them come off as white-man-splaining.
The one track that still resonates today is the same one that made the biggest impact on first listen: The sprawling guitar epic Change Your Mind. Contrary to popular narrative, it was not written as a response to Kurt Cobain's suicide -- which affected Neil deeply, in part because Kurt's suicide note quoted Hey Hey My My (Into the Black) -- but it served as reassurance to my generation from its Godfather, reminding us to turn to the ones we love when we are troubled. The song actually first surfaced in concert a year earlier. 
For nearly 15 minutes, we are able to leave our troubles behind and follow Neil through the twists and turns of guitar bliss. More subtle than the blowouts on Ragged Glory, the guitar work is as lyrical as anything he'd done since Down by the River.

Studio version: https://www.youtube.com/watch?v=45qX1VYONds&feature=youtu.be

Bridge School benefit 1994 versions, in which Neil gets feedback out of his acoustic guitar: https://www.youtube.com/watch?v=G1FfeCvWwGY and  https://www.youtube.com/watch?v=CuqML4BZ6P0

Live version with Promise of the Real from 2016: https://www.youtube.com/watch?v=tus5-RhDWrg

The song debuted on the 1993 tour with Booker T. and the MGs. The only version with them that I can find on Youtube starts at 1:12:52 of this video: https://www.youtube.com/watch?v=3PB5fuL-1VY
Spot on write up. Sleeps With Angels was a little spotty for me, but the standouts shine (Blue Eden a personal fave). This one also reminds me of driving my two sons around when they were in car seats. As I was not big on playing children's music, they listened to what dear ol' Dad played at the time. This was one I guess they both liked, as I would catch their kid voices singing "Change Your Mind..." on the chorus... :suds: (how they would do it today!)

 
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Spot on write up. Sleeps With Angels was a little spotty for me, but the standouts shine (Blue Eden a personal fave). This one also reminds me of driving my two sons around when they were in car seats. As I was not big on playing children's music, they listened to what dear ol' Dad played at the time. This was one I guess they both liked, as I would catch their kid voices singing "Change Your Mind..." on the chorus... :suds: (how they would do it today!)
You are very lucky. My son thinks my music is too loud and shares his mother's preference for country music. 

 
35. Birds (After the Gold Rush, 1970; written in 1968)
Neil wrote many breakup songs, but this one is so much more than that. Using bird imagery, he is telling his ex that things will be better for her with someone else. The vocal is one of Neil's most compelling and the stark piano accompaniment suits it perfectly. This appeared in a few solo and CSNY sets in 1968-69 before being recorded for After the Gold Rush.

Studio version: https://www.youtube.com/watch?v=k4imn-swb34&feature=youtu.be

Alternate studio take (acoustic guitar, faster): https://www.youtube.com/watch?v=gL1Zbf6y2C4

Live at Canterbury House 1968 version: https://www.youtube.com/watch?v=bLvfWAcdaH0

Live at the Cellar Door version: https://www.youtube.com/watch?v=dAM-HSnZkYM

Live version from Bridge School Benefit 2001 with Nicolette Larson: https://www.youtube.com/watch?v=bEJqD3OPT2o

Linda Ronstadt cover: https://www.youtube.com/watch?v=jRT5R7e6lQw

Paul Weller cover (he changes "fly away without you" to "fly away beside you," which completely changes the meaning of the song): https://www.youtube.com/watch?v=2e-zVcdHnxI

Everything but the Girl cover: https://www.youtube.com/watch?v=TAGYCwjUMWs

Bette Midler cover: https://www.youtube.com/watch?v=gQ3VMAlYs5w

Dan Fogelberg cover: https://www.youtube.com/watch?v=XpP4n49gT8I

Syd Straw cover (performed in Philly!): https://www.youtube.com/watch?v=DcMXgqTWjEk

Searching "Neil Young Birds" also turns up stuff about The Mynah Birds. Neil Young, Rick James (then known as Ricky Matthews), Bruce Palmer (Buffalo Springfield), Jerry Edmonton (Steppenwolf) and Goldy McJohn (Steppenwolf), before any of them were famous, were briefly in a band that got a contract with Motown and did a session (the tapes finally surfaced about 15 years ago; they're standard Motown stuff), but then disbanded (and had their recordings shelved) when James (Matthews) was arrested for being AWOL from the Navy. I am not making this up. 

 
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Pre-writing looks like it will be a good strategy. I pre-wrote #5 and #6 today and they each took more than an hour (counting time searching for notable versions on Youtube). Would have been tough to pull that off on a day I had to work. 

 
Pre-writing looks like it will be a good strategy. I pre-wrote #5 and #6 today and they each took more than an hour (counting time searching for notable versions on Youtube). Would have been tough to pull that off on a day I had to work. 
I've been working on my write-up for Across the Universe for over a year now.

Krista must be pissssssssed! 

 
34. Silver and Gold (Silver and Gold, 2000; written in 1981; first performed in 1984)
I love this song so much that it was the first dance at our wedding. I didn't make many requests as far as wedding planning went, aside from asking for this as the first dance. I couldn't use Harvest Moon because it was my father and stepmother's song. I couldn't use Heart of Gold because been there, done that.
I was drawn to this when I first heard it on a bootleg in the '90s. It's one of Neil's few straightforward love songs, written for his wife Pegi, and is arguably his most heartfelt one. It has always pulled my emotional heartstrings.
Neil felt so strongly about this song that it took 19 years for him to record a version that he was happy enough with to release officially. It was originally penned in 1981 for Island in the Sun, a laid-back folk-rock album that Geffen rejected (a few of its songs ended up on Trans; can you imagine this on Trans?). He then attempted it in 1983 for the original version of Old Ways. It made its live debut in International Harvesters sets in 1984; one of these versions was what I first heard. It returned on the 1992 acoustic tour that preceded Harvest Moon. For those sessions, Neil worked up a version with Crosby and Nash on harmony vocals but still wasn't satisfied with it.
Sometime in between 1992 and 2000, Neil recorded a version at his barn that he loved -- but the engineer was new and not familiar with Neil's rule that the tape must always be rolling. When informed that the performance went unrecorded, Neil bellowed "Are you kidding me? I've been trying to get that one right for years!"
The song returned to the live rotation on Neil's 1999 solo acoustic tour, and later that year when he went to record a new album, he finally got a version he liked well enough to release. And I'm glad he did because it would have been awkward playing a bootleg recording for a spotlight dance.

Studio version: https://www.youtube.com/watch?v=H_m8zL-IIPY

Original Old Ways version, starts at 16:07 of this video: https://www.youtube.com/watch?v=Ylm78dO8UP8

Live version with the International Harvesters from 1984, starts at 20:40 of this video: https://www.youtube.com/watch?v=JBebLOk-Rd0 

Live version with CSNY from 1989 or 1990: https://www.youtube.com/watch?v=AngyB1gVIn4

Live version from the 1992 solo tour: https://www.youtube.com/watch?v=tIxKGtAmucI 

Live version from Bridge School Benefit 1997: https://www.youtube.com/watch?v=cyyq5VxAXAk

Youtube search is really a pain on this one, because not only is it a title track, but clips for Heart of Gold and After the Gold Rush also show up. 

 
33. Expecting to Fly (Buffalo Springfield Again, 1967)
I'm generally not a fan of Neil-with-strings, but this is the exception. Neil and Jack Nitzsche created a lush, dreamy soundscape that plays tricks on your mind. Like "Birds," this is a breakup song, but one that wallows more in the narrator's own feelings, as befits the head-trip of the arrangement. The stark live versions are equally gorgeous in their own way.
Speaking of breaking up, by 1967 Neil was already growing estranged from the Springfield. Depending on which source you believe, no other members played on this track, or only Richie Furay appears, singing harmony. There are a ton of voices mixed together, so who can really tell.
Like Broken Arrow, this is another song that wouldn't sound like it does if not for what the Beatles did in 1967. 

Studio version: https://www.youtube.com/watch?v=djQhaCtCsxw

Live at Canterbury House 1968 version: https://www.youtube.com/watch?v=Ld-OSGkKfPk 

Live at the Riverboat 1969 version: https://www.youtube.com/watch?v=mZar7P9_ElE

Live at the Cellar Door version (on piano): https://www.youtube.com/watch?v=0ECxLDI2boY 

Live version from Bridge School Benefit 1998: https://www.youtube.com/watch?v=X_CHj4AX71g 

Live version from 2003 (on piano): https://www.youtube.com/watch?v=08AMkpqbYUA 

Jakob Dylan/Regina Spektor cover (from Echoes in the Canyon soundtrack): https://www.youtube.com/watch?v=POKaloe7HZ4 

Gary Louris (The Jayhawks) cover: https://www.youtube.com/watch?v=-WcZbxCtf5Y 

Of Montreal cover: https://www.youtube.com/watch?v=jzPs7EEVEyw 

Medicine cover: https://www.youtube.com/watch?v=wNSsbonQdRE 

Lee Harvey Osmond cover: https://www.youtube.com/watch?v=GANpKkEWEmk 

 
Personal experiences at concerts will pop up more as we move higher on the list, so I figured now would be as good a time as any to post the setlists from my shows with a few comments.

1991-02-05, Civic Center, Philadelphia, Pennsylvania, USA
w/ Crazy Horse


Hey Hey, My My (Into The Black) / Crime In The City / Blowin' In The Wind / Love To Burn / Cinnamon Girl / Days That Used To Be / F*!#in' Up / Cortez The Killer / Powderfinger / Love And Only Love / Rockin' In The Free World // Welfare Mothers / Like A Hurricane

This tour was the source material for Weld and the noise collage Arc. Nothing from this show was used because the venue was a dump with terrible sound (it has since been torn down), but I remember several songs, especially Cortez and Welfare Mothers, being better than their corresponding versions on Weld. I will have a LOT to say about this version of Cortez when we get to that entry. This was every bit the mindblowing experience that Weld sounds like, and remains one of the best concerts I have ever seen by anyone. Sonic Youth opened and was horrible. There's a significant biker crowd that comes to electric Neil shows. SY was not their thing and they were vocal about it. By this point, SY had decided that their sets weren't going to go over well regardless of what they did and were mailing it in. Social Distortion also opened but I missed them. 

1996-08-16, Sony Music Entertainment Center, Camden, New Jersey, USA
w/ Crazy Horse


Hey Hey, My My (Into The Black) / Sedan Delivery / Big Time / Slip Away / The Needle And The Damage Done / Heart Of Gold / Sugar Mountain / Cinnamon Girl / F*!#in' Up / Cortez The Killer / Music Arcade / Like A Hurricane // This Town / Welfare Mothers / Rockin' In The Free World // Roll Another Number (For The Road)

What I most remember about this show, during which Broken Arrow was the current album, is that after Welfare Mothers, everyone figured there was one more "big" song coming, so factions on the lawn started bellowing what they wanted. The Gen-Xers got what they wanted with Rockin' in the Free World. The second encore of Roll Another Number very much functioned as a "cooldown after a freakout" type of thing. The openers were again strange choices: The Gin Blossoms (really?) and Ben Folds Five, who were good. 

1999-04-22, Theatre at Madison Square Garden, New York City, New York, USA
Solo


Tell Me Why / Looking Forward / War Of Man / Out Of Control / Dreamin' Man / Razor Love / Pocahontas / Philadelphia / Homegrown / Daddy Went Walkin' // Distant Camera / Ambulance Blues / Old King / Long May You Run / Harvest Moon / The Needle And The Damage Done / Slowpoke / After The Gold Rush // Good To See You / Heart Of Gold // Down By The River / I Am A Child

This was the first tour I got to discuss in real time with people on the internet (Neil did not tour in 1998, the year I got internet access). This show was the last night of a three night run at the Theatre at MSG. The highlight of the first set was the breakout of Razor Love, which had last been played regularly in 1984 (there were three random appearances in between) and which I knew from a bootleg 1989 radio broadcast I'd been given. The highlights of the second set were Ambulance Blues, a major song that is usually ignored for setlists but was getting run on this tour, and After the Gold Rush, which started on piano and switched midway to pump organ. I was also really happy to get my first Down by the River, even if it was acoustic. The electric gift would come later.

1999-04-24, Tower Theater, Upper Darby, Pennsylvania, USA
Solo


Tell Me Why / Looking Forward / War Of Man / Out Of Control / Albuquerque / World On A String / Don't Let It Bring You Down / Philadelphia / Love Is A Rose / Daddy Went Walkin' // Distant Camera / The Last Trip To Tulsa / Southern Pacific / Old Man / Long May You Run / Harvest Moon / Slowpoke / The Needle And The Damage Done / After The Gold Rush // Good To See You / Red Sun / Sugar Mountain // Everybody Knows This Is Nowhere

This became known on The Rust List as "The Shut Up A$$hole show." Before Albuquerque or World on a String, as Neil was telling the story of the guitar he was playing, which had been owned by Hank Williams (and would later become the subject of "This Old Guitar"), some drunk lout interrupted him and yelled "Play it!" After a pause to process what had just happened, Neil sneered, "Shut up, a$$hole!" The venue erupted with laughter and cheers. This version of Philadelphia was extremely emotional, as you might expect (Upper Darby borders West Philadelphia and is not much different from it visually), and the After the Gold Rush may be even better than the NYC version I had just seen. Last Trip to Tulsa was a nice surprise, and Everybody Knows This Is Nowhere was a fun closer; it had not yet appeared on the tour and no one was expecting it. 

2000-03-20, First Union Center, Philadelphia, Pennsylvania, USA
w/ Crosby, Stills, Nash and Young


Carry On / Southern Man / Stand And Be Counted / Pre-Road Downs / Heartland / 49 Bye-Byes / Slowpoke / Marrakesh Express / Faith In Me / Almost Cut My Hair / Cinnamon Girl // Helplessly Hoping / Our House / Old Man / Dream For Him / Someday Soon / Looking Forward / After The Gold Rush / Guinnevere / Out Of Control / Seen Enough / Teach Your Children // Woodstock / Long Time Gone / Ohio / Love The One You're With / Down By The River // For What It's Worth / Rockin' In The Free World

My first CSNY show occurred on their first real tour since 1974 and can be summed up thusly: Down by the Em-Effing River. People on the Rust List had reported that two nights before in Pittsburgh, they had taken Down by the River to a different level than displayed previously on the tour, and that peak continued at this show. Neil and Stills generated all kinds of beautiful noise during a version that lasted for about 20 minutes. That was such a dominating performance that I don't remember a whole lot about the rest of the show, other than being amused that an act that is always touting their cultural significance to the '60s and '70s closed with a song released in 1989. My high school buddy and I had nosebleed seats and just before the band took the stage, an usher gave us lower-level tickets that had gone unsold, so that was nice. 

2000-08-09, Sony Music Entertainment Center, Camden, New Jersey, USA
w/ The Friends And Relatives


Motorcycle Mama / Powderfinger / Everybody Knows This Is Nowhere / I Believe In You / Unknown Legend / Dance, Dance, Dance / Buffalo Springfield Again / Razor Love / Lotta Love / Daddy Went Walkin' / Peace Of Mind / Walk On / Bad Fog Of Loneliness / Winterlong / Words / Harvest Moon / World On A String / Tonight's The Night // Like A Hurricane // Mellow My Mind

For this tour, Neil put together a band of legends: Duck Dunn, Jim Keltner, Ben Keith and Spooner Oldham (along with wife Pegi and sister Astrid). Much of what I have to say about this show is in entry #30, but I loved the mixing of everyday favorites (Powderfinger, Tonight's the Night (my first), Like a Hurricane) with underrated stuff that around then didn't surface often (I Believe in You, the whole sequence between Peace of Mind and Words, Mellow My Mind). Tonight's the Night with Crazy Horse usually sounds like the harder-rocking Part II that ends the TTN album; this version, with Neil on piano, sounded like the subtler Part I that opens it. The Pretenders opened, beginning their set with The Loner and ending it, unfortunately appropriately, with The Needle and the Damage Done. 

2002-04-19, First Union Center, Philadelphia, Pennsylvania, USA
w/ Crosby, Stills, Nash and Young


Carry On>Questions / Military Madness / Wooden Ships / Goin' Home / Feed The People / You're My Girl / I Used To Be A King / Down By The River / Southern Cross / Almost Cut My Hair / Cinnamon Girl // Helplessly Hoping / Our House / Old Man / Guinnevere / The Lee Shore / Harvest Moon / Ole Man Trouble / Half Your Angels / Suite: Judy Blue Eyes // Let's Roll / Long Time Gone / Two Old Friends / Woodstock / Rockin' In The Free World // For What It's Worth / Teach Your Children

This had some of the same material as my first CSNY show, but more older stuff as none of C, S or N were promoting a new album (I irrationally love The Lee Shore, so this was fine). The excellent Goin' Home, which came from a Crazy Horse album Neil had scrapped the year before, was an early highlight. Neil had put out the flat Are You Passionate? (on which Goin' Home appears but seems really out of place) 10 days before, and the choice to give Two Old Friends, a long song that is neither musically nor lyrically interesting, a prominent place in the runup to the end was a poor one. Down by the River was good again but did not reach the heights of the version from 2 years before.

2003-07-02, Tweeter Center at The Waterfront, Camden, New Jersey, USA
w/ Crazy Horse


Falling From Above / Double E / Devil's Sidewalk / Leave The Driving / Carmichael / Bandit / Grandpa's Interview / Bringin' Down Dinner / Sun Green / Be The Rain // Hey Hey, My My (Into The Black) / Sedan Delivery / Prisoners Of Rock 'n' Roll / Powderfinger // Cinnamon Girl / F*!#in' Up

I went to a Neil Young concert and a theater production broke out. Yes, on this tour Neil performed Greendale in its entirety, with actors playing out the "script". As you will see in my end-of-list writeups, I am not a fan of Greendale, so most of the time I was more amused by my friend who was baked out of his mind than anything that was going on onstage. I also felt sorry for Poncho Sampedro, who did not play on the Greendale album and plunked away on an inaudible piano during that material. The highlight of the Greendale stuff was Carmichael, which elicited some sublime guitar passages from Neil. Luckily, the non-Greendale material was played with the same vitality as I'd seen at the 1991 and 1996 shows (coincidentally, all three had 3/4 of side 2 of Rust Never Sleeps, with a different song missing each time). 

2006-08-12, Nissan Pavilion, Bristow, Virginia, USA
w/ Crosby, Stills, Nash and Young


Flags Of Freedom / Carry On / Wooden Ships / Long Time Gone / Military Madness / After The Garden / Living With War / The Restless Consumer / Shock And Awe / Wounded World / Almost Cut My Hair / Immigration Man / Families / Déjà Vu // Helplessly Hoping / Our House / Only Love Can Break Your Heart / Guinnevere / Milky Way Tonight / Treetop Flyer / Roger And Out / Southbound Train / Ole Man Trouble / Carry Me / Teach Your Children / Southern Cross / Find The Cost Of Freedom // Let's Impeach The President / For What It's Worth / Chicago / Ohio / What Are Their Names / Rockin' In The Free World // Woodstock

I went to a CSNY concert and an antiwar demonstration broke out. Neil reconvened CSNY to promote Living with War, whose message I appreciate but whose music I am not a fan of, for reasons I will get into in the end-of-list material. The tour made headlines for its relentless antiwar theme, both in Neil's new material and CSN's old stuff, and for Let's Impeach the President prompting boos and walkouts at shows in red states. That did not happen here, as we were in northern Virginia, which might as well be New Jersey politically. But I would have liked to see Neil do more than three older songs. The standout for me was the acoustic guitar battle between Stills and Neil on Stills' Treetop Flyer, a song about drug running that he wrote and first performed in the mid-70s but didn't release until 1991. 

2006-09-30, Tweeter Center at The Waterfront, Camden, New Jersey, USA
Farm Aid 2006
w/ The Prairie Wind Band


Field Of Opportunity / Homegrown / After The Garden / Four Strong Winds / Harvest Moon / Human Highway

My first and only Farm Aid, I knew I had to go when it came to my state because I might never get the opportunity again. I wouldn't have expected half the set's songs to come from Comes A Time, but so it was. The performance got stronger as the set went on. There were also fine sets from Willie Nelson, Gov't Mule and Los Lonely Boys. And at no point would I have ever bet I'd see Jerry Lee Lewis live, but on this day I did.

2007-12-09, Tower Theater, Upper Darby, Pennsylvania, USA
w/ Ben Keith, Rick Rosas, Ralph Molina, Anthony Crawford and Pegi Young


From Hank To Hendrix / Ambulance Blues / Sad Movies / A Man Needs A Maid / Mexico / No One Seems To Know / Harvest / Journey Through The Past / After The Gold Rush / Mellow My Mind / Love/Art Blues / Campaigner / Cowgirl In The Sand // The Loner / Everybody Knows This Is Nowhere / Dirty Old Man / Spirit Road / Bad Fog Of Loneliness / Winterlong / Oh, Lonesome Me / The Believer / No Hidden Path // Cinnamon Girl / Like A Hurricane

This was quite the experience. It was the first of a two-night stand and both nights were filmed by Jonathan Demme for Neil Young Trunk Show, which was shown at a film festival in Canada but has been otherwise hard to find. I should get around to looking again. My wife and I bought snacks and drinks and then had to wait outside the seating area until we finished them, because no food or drink was allowed inside until the electric set. We missed the opening set of Neil's wife Pegi (no big deal) but were able to catch all of Neil's show. The acoustic set included four then-unreleased songs he had written in the '70s. Mexico, which I had never heard before, is one of the Homegrown songs and finally got its official release this year. On this tour, Neil for the first time unveiled it and another Homegrown song, Try (which was played the next night). I knew the other three from bootlegs; Sad Movies (which dates from 1976) remains unreleased, while No One Seems to Know (which also first surfaced in 1976) and Love/Art Blues (which was written with the Homegrown batch and played on the 1974 CSNY tour but did not make the cut for Homegrown) appeared on archival releases issued between then and now. This was my first Cowgirl in the Sand, which was acoustic (again, the electric gift would come later) and included Neil playing part of the solo using the mic stand for fretting. It was also my first The Loner, which started the electric set with the appropriate burst of energy. The electric set, with a band drawn from various outfits Neil had used in the past, included four songs from the then-current Chrome Dreams II, the  highlight of which was the heavenly blowout of No Hidden Path, which must have lasted at least 20 minutes. The triumphant encore capped off an incredible night.

2008-12-16, Madison Square Garden, New York City, New York, USA
Neil Young & His Electric Band


Love And Only Love / Hey Hey, My My (Into The Black) / Everybody Knows This Is Nowhere / Powderfinger / Spirit Road / Cortez The Killer / Cinnamon Girl / Oh, Lonesome Me / Mother Earth (Natural Anthem) / The Needle And The Damage Done / Light A Candle / Cough Up The Bucks / Fuel Line / Hit The Road / Get Around / Unknown Legend / Heart Of Gold / Old Man / Get Back To The Country / Off The Road / When Worlds Collide / Just Singing A Song / Cowgirl In The Sand / Rockin' In The Free World // Get Behind The Wheel / A Day In The Life

I came to this show even though it was the day after I got back from my honeymoon. My wife is a saint. Why did I feel the need to do this? Because not only was it a Neil show, but Wilco, one of my other favorite bands, was opening. They were great. Neil's set was on point ... and then he hit us with a bunch of songs from an album that hadn't come out yet (Fork in the Road). Most were about cars, and most had this churning kind of sound that came off as a more turgid approach to the Crazy Horse vibe. The ballad Light a Candle made a nice impression, though. This show is notable for the still-to date-only appearance of Get Around, a song recorded for Fork in the Road but left off the record, despite its lyrics appearing in the CD jacket. Another ballad, it's better than most of what did make it. The best part of the second half of the show was my first electric Cowgirl in the Sand, which the band tore through with vigor. A Day in the Life was an interesting choice for a Beatles cover since Neil has no interest in making Sgt Pepper kind of records, but it was a thing he was doing at the time. 

I did not see Neil again until 2015 because my income was inconsistent during the Great Recession and Neil mostly played small venues with very expensive ticket prices during this time.

2015-07-16, Susquehanna Bank Center, Camden, New Jersey, USA
w/ Promise Of The Real


After The Gold Rush / Heart Of Gold / Long May You Run / Old Man / Mother Earth (Natural Anthem) / Hold Back The Tears / Out On The Weekend / Unknown Legend / Peace Of Mind / From Hank To Hendrix / Harvest Moon / Wolf Moon / Words / Flying On The Ground Is Wrong / Walk On / Bad Fog Of Loneliness / A Rock Star Bucks A Coffee Shop / People Want To Hear About Love / A New Day For Love / Down By The River / Workin' Man / Big Box / Everybody Knows This Is Nowhere / Monsanto Years / If I Don't Know / Love And Only Love // Cortez The Killer / Cinnamon Girl

Just like my first Neil show, my most recent one is one of the best concerts I have ever seen. While I have problems with The Monsanto Years and the other albums Neil has employed them for, Promise of the Real is in terms of versatility the best backing band that Neil has ever had. They are the only one that can execute all of his styles at a high level. This very long show (the longest of this tour or close to it) had a mix of favorites and surprises for the acoustic portion, a Buffalo Springfield rarity and some vintage 1972-74 stuff for the middle portion, and the best impression of Crazy Horse you could ever hope for at the end, even if most of it came with the inane lyrics of The Monsanto Years material. This Down by the River was long and glorious and every bit as good as the transcendent version I witnessed in 2000. The Cortez/Cinnamon Girl encore was <chef's kiss>. I never thought a 69-year-old would ever be able to put on a show like this, and I'm so glad I was wrong. 

Since then, Neil has played only three shows within a reasonable distance from me, one of which was a festival (I don't do those) and two of which were very expensive small-venue gigs. Hopefully he'll have it in him to hit the road again once the pandemic is over. 

 
Pip's Invitation said:
35. Birds (After the Gold Rush, 1970; written in 1968)
Neil wrote many breakup songs, but this one is so much more than that. Using bird imagery, he is telling his ex that things will be better for her with someone else. The vocal is one of Neil's most compelling and the stark piano accompaniment suits it perfectly. This appeared in a few solo and CSNY sets in 1968-69 before being recorded for After the Gold Rush.
Chills on this one.

 
Pip's Invitation said:
34. Silver and Gold (Silver and Gold, 2000; written in 1981; first performed in 1984)
I love this song so much that it was the first dance at our wedding. I didn't make many requests as far as wedding planning went, aside from asking for this as the first dance. I couldn't use Harvest Moon because it was my father and stepmother's song. I couldn't use Heart of Gold because been there, done that.
I was drawn to this when I first heard it on a bootleg in the '90s. It's one of Neil's few straightforward love songs, written for his wife Pegi, and is arguably his most heartfelt one. It has always pulled my emotional heartstrings.
Neil felt so strongly about this song that it took 19 years for him to record a version that he was happy enough with to release officially. It was originally penned in 1981 for Island in the Sun, a laid-back folk-rock album that Geffen rejected (a few of its songs ended up on Trans; can you imagine this on Trans?). He then attempted it in 1983 for the original version of Old Ways. It made its live debut in International Harvesters sets in 1984; one of these versions was what I first heard. It returned on the 1992 acoustic tour that preceded Harvest Moon. For those sessions, Neil worked up a version with Crosby and Nash on harmony vocals but still wasn't satisfied with it.
Sometime in between 1992 and 2000, Neil recorded a version at his barn that he loved -- but the engineer was new and not familiar with Neil's rule that the tape must always be rolling. When informed that the performance went unrecorded, Neil bellowed "Are you kidding me? I've been trying to get that one right for years!"
The song returned to the live rotation on Neil's 1999 solo acoustic tour, and later that year when he went to record a new album, he finally got a version he liked well enough to release. And I'm glad he did because it would have been awkward playing a bootleg recording for a spotlight dance.
Lovely write-up.  :)  

 
Given what you thought of "I Believe in You" and what kinds of Beatles songs you feel strongest about, I figured this one would be one of your favorites. 
Also, and you'd have no reason to know this, I really like birds.  Not like I study them or know a damn thing about them, but I'm always attracted to them, whether in art or in song or in nature.

 
33. Expecting to Fly (Buffalo Springfield Again, 1967)
I'm generally not a fan of Neil-with-strings, but this is the exception. Neil and Jack Nitzsche created a lush, dreamy soundscape that plays tricks on your mind. Like "Birds," this is a breakup song, but one that wallows more in the narrator's own feelings, as befits the head-trip of the arrangement. The stark live versions are equally gorgeous in their own way.
Speaking of breaking up, by 1967 Neil was already growing estranged from the Springfield. Depending on which source you believe, no other members played on this track, or only Richie Furay appears, singing harmony. There are a ton of voices mixed together, so who can really tell.
Like Broken Arrow, this is another song that wouldn't sound like it does if not for what the Beatles did in 1967. 

Studio version: https://www.youtube.com/watch?v=djQhaCtCsxw

Live at Canterbury House 1968 version: https://www.youtube.com/watch?v=Ld-OSGkKfPk 

Live at the Riverboat 1969 version: https://www.youtube.com/watch?v=mZar7P9_ElE

Live at the Cellar Door version (on piano): https://www.youtube.com/watch?v=0ECxLDI2boY 

Live version from Bridge School Benefit 1998: https://www.youtube.com/watch?v=X_CHj4AX71g 

Live version from 2003 (on piano): https://www.youtube.com/watch?v=08AMkpqbYUA 

Jakob Dylan/Regina Spektor cover (from Echoes in the Canyon soundtrack): https://www.youtube.com/watch?v=POKaloe7HZ4 

Gary Louris (The Jayhawks) cover: https://www.youtube.com/watch?v=-WcZbxCtf5Y 

Of Montreal cover: https://www.youtube.com/watch?v=jzPs7EEVEyw 

Medicine cover: https://www.youtube.com/watch?v=wNSsbonQdRE 

Lee Harvey Osmond cover: https://www.youtube.com/watch?v=GANpKkEWEmk 
Great break up tune indeed.  Broke up with my girlfriend of 6 years (now my wife of 20!) and played this song on repeat all weekend long.  A great mix of self pity and FU.  Must have played this song 50 times that weekend.  Well, all's well that ends well, right?

 
Neil announced there will be three more archival releases by the end of the year. A Greendale show 😴 , the Catalyst Club show from after Ragged Glory came out but before the Weld tour 😃 and Archives Vol. 2 1973-82 🤯😍🤩🥰 

 
32. Sedan Delivery (Rust Never Sleeps, 1979; written in 1976-ish)
Another from the fabled side 2 of Rust Never Sleeps. I have no idea what the hell is going on in the lyrics, but Neil and Crazy Horse bash with such fury that it doesn't matter. Widely considered to be one of Neil's responses to punk rock, the song actually predates the rise of the American punk movement. A slower, thinner-sounding, more staccato version was recorded for the abandoned 1976 album Chrome Dreams. Neil also offered it to Lynyrd Skynyrd before their plane crash (they turned it down). It's impossible to imagine Skynyrd playing the RNS version, but the Chrome Dreams arrangement would have been perfect for them.

Interestingly, all of Neil's 173 known live performances of this song have been with Crazy Horse. He has never played it solo or with another backing band. 

RNS version: https://youtu.be/HkEXfVsQpUQ

Chrome Dreams version: https://www.youtube.com/watch?v=375rAsPP7bk

Live Rust version: https://www.youtube.com/watch?v=GXGZggsQEYs

Year of the Horse version: https://www.youtube.com/watch?v=5_HA9rm8mts

Feelies cover: https://www.youtube.com/watch?v=IdlG-R7wFj4 

Jayhawks cover: https://www.youtube.com/watch?v=3GSpmPFmB5Y 

Once again, Youtube search is a pain because there's a Neil tribute band by this name AND an unrelated indie rock band by this name. 

 
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31. Love to Burn (Ragged Glory, 1990)
The other long barnburner from Ragged Glory that starts with "Love", this one is ranked slightly higher because Neil does a fantastic job of making his guitar part of the conversation, and the chorus is better. But we are dealing with some very marginal differences at this level.
The positive message and swirling guitar parts were so compelling that Reprise actually edited this down to about 5 minutes and sent it to radio stations. But no need to hear that when you can experience the whole thing.

Studio version: https://www.youtube.com/watch?v=TliEfAU-U9k

Studio outtake with false start: https://www.youtube.com/watch?v=o2P_nHHRdu4 

Weld version: https://www.youtube.com/watch?v=yjTv-hhrX2s

Live version with Booker T. and the MGs from 1993: https://www.youtube.com/watch?v=JOHUoW2U7HY 

22-minute live version with Crazy Horse from Bonnaroo 2003: https://www.youtube.com/watch?v=BcNSeAqBQhU 

Live version with Promise of the Real from 2016: https://www.youtube.com/watch?v=4ycINjZ7MtI 

 
Pip's Invitation said:
34. Silver and Gold (Silver and Gold, 2000; written in 1981; first performed in 1984)
I love this song so much that it was the first dance at our wedding. I didn't make many requests as far as wedding planning went, aside from asking for this as the first dance. I couldn't use Harvest Moon because it was my father and stepmother's song. I couldn't use Heart of Gold because been there, done that.
I was drawn to this when I first heard it on a bootleg in the '90s. It's one of Neil's few straightforward love songs, written for his wife Pegi, and is arguably his most heartfelt one. It has always pulled my emotional heartstrings.
Neil felt so strongly about this song that it took 19 years for him to record a version that he was happy enough with to release officially. It was originally penned in 1981 for Island in the Sun, a laid-back folk-rock album that Geffen rejected (a few of its songs ended up on Trans; can you imagine this on Trans?). He then attempted it in 1983 for the original version of Old Ways. It made its live debut in International Harvesters sets in 1984; one of these versions was what I first heard. It returned on the 1992 acoustic tour that preceded Harvest Moon. For those sessions, Neil worked up a version with Crosby and Nash on harmony vocals but still wasn't satisfied with it.
Sometime in between 1992 and 2000, Neil recorded a version at his barn that he loved -- but the engineer was new and not familiar with Neil's rule that the tape must always be rolling. When informed that the performance went unrecorded, Neil bellowed "Are you kidding me? I've been trying to get that one right for years!"
The song returned to the live rotation on Neil's 1999 solo acoustic tour, and later that year when he went to record a new album, he finally got a version he liked well enough to release. And I'm glad he did because it would have been awkward playing a bootleg recording for a spotlight dance.

Studio version: https://www.youtube.com/watch?v=H_m8zL-IIPY

Original Old Ways version, starts at 16:07 of this video: https://www.youtube.com/watch?v=Ylm78dO8UP8

Live version with the International Harvesters from 1984, starts at 20:40 of this video: https://www.youtube.com/watch?v=JBebLOk-Rd0 

Live version with CSNY from 1989 or 1990: https://www.youtube.com/watch?v=AngyB1gVIn4

Live version from the 1992 solo tour: https://www.youtube.com/watch?v=tIxKGtAmucI 

Live version from Bridge School Benefit 1997: https://www.youtube.com/watch?v=cyyq5VxAXAk

Youtube search is really a pain on this one, because not only is it a title track, but clips for Heart of Gold and After the Gold Rush also show up. 
Nice selections, but ya missed my fav live version: Silver and Gold

 
30. Words (Between the Lines of Age) (Harvest, 1972)
This was already a favorite for being an extended electric workout at the end of Neil's most popular album, known for its acoustic and country-rock songs. The keening interplay between Neil's guitar and Ben Keith's steel guitar, with Jack Nitzsche's piano moving everything forward, is quite the journey. It became an even bigger favorite when I was fortunate enough to witness its third-ever known live performance.
Wait, how is that even possible?
That's right, Neil played this song once in 1973 and then not again until his 2000 tour with the Music in Head/Friends and Relatives band, featuring Keith, Duck Dunn, Jim Keltner, Spooner Oldham, his wife Pegi and his sister Astrid. I was at the second show of the tour in Camden. There are so many possibilities for jamming in this song that it's unfathomable he waited 28 years to play it regularly onstage. At least he has realized the error of his ways, and has played it 134 times in the past 20 years -- though never with Crazy Horse. Wikipedia says part of this song is in a weird time signature, which may explain why he never trusted Crazy Horse with it. 
Neil plays most of his renowned electric jams on Old Black, a 1953 Gibson Les Paul that he has had since 1968 (which he acquired in a trade with Jim Messina). However, Old Black was out of commission from after CSNY Deja Vu sessions until 1975; it needed a new pickup and the shop Neil left the old pickup with had closed. During this period, Neil's main electric guitar was a Gretsch White Falcon. This was his primary instrument on the electric songs of Harvest, Time Fades Away, On the Beach, Tonight's the Night and Homegrown, and these days, the main showcase for the Gretsch in concert is Words.  (Also of note, the experiments on Le Noise were done with the Gretsch, not Old Black.)

Studio version: https://www.youtube.com/watch?v=pMRcFpIn49o&feature=youtu.be

An outtake with lots of studio chatter took up all of side 3 of the Journey through the Past soundtrack: https://www.youtube.com/watch?v=j-4iUlZIBhU 

Live at Red Rocks 2000 DVD version; this is similar to what I witnessed that night in Camden: https://www.youtube.com/watch?v=59r5kNRaoLQ

Road Rock Vol. 1 version, also similar to what I saw in Camden: https://www.youtube.com/watch?v=_01kO_pdEUA 

Live version from 2009 with the Electric Band: https://www.youtube.com/watch?v=BGWfWdkdpuE 

This is the version I saw in Camden in 2015 with Promise of the Real: https://www.youtube.com/watch?v=acCEECqG1Jc 

 
29. Walk On (On the Beach, 1974)
The "ditch trilogy" has a theme song. Some of the fans Neil picked up in the early '70s were confused by Time Fades Away, and the executives at his label were baffled by Tonight's the Night, which he recorded after the TFA tour, but Neil laid out for them why he's doing what he's doing in On the Beach's single:

I hear some people been talking me down
Bring up my name, pass it around
They don't mention the happy times
They do their thing, I do mine

Ooh baby that's hard to change
I can't tell them how to feel
Some get stoned, some get strange
But sooner or later it all gets real


&

Neil was doing his thing and being real, and everyone else just needed to deal. That's how he's conducted his whole career post-1972 and it's all summarized here.

He even couched the message in music that wouldn't sound out of place on Everybody Knows This Is Nowhere. This is the only OtB song featuring the remnants of Crazy Horse and it was probably recorded during the Tonight's the Night sessions.

This was the opener of On the Beach, but that's not what Neil wanted. He wanted Side 2 to be Side 1 and vice versa, but David Briggs talked him out of it (however, the cassette version did have Neil's preferred order). I think that was a good decision, as Walk On makes for a great album opener, Ambulance Blues makes for a great album closer and the hazy Honeyslides-influenced material on Side 2 is better served as the second half of the record. The album developed a huge cult following in the '90s not only because of its quality and eccentricities, but because it had been out of print since the early '80s and Neil refused to release it on CD (it finally came out in that format in 2003). 

Studio version: https://www.youtube.com/watch?v=Cby46XsFm7Y&feature=youtu.be

Roxy: Tonight's the Night Live version (the only time it was played on the TTN tour): https://www.youtube.com/watch?v=ACnkC3CFC2c 

Red Rocks 2000 DVD version: https://www.youtube.com/watch?v=JgUNkVV3hvI 

Road Rock Vol. 1 version: https://www.youtube.com/watch?v=I0c6dMasbZ0 

The only version from the CSNY 1974 tour I can find starts at 33:30 of this video: https://www.youtube.com/watch?v=Lu3e7Wx-ERM 

Live version from my Camden 2015 show with Promise of the Real: https://www.youtube.com/watch?v=lKo2ycbGYMY 

Neil has only played this twice with Crazy Horse, both in 2018. This is one of them: https://www.youtube.com/watch?v=b4HGoK4gMdM 

Bottle Rockets/Jeff Tweedy cover: https://www.youtube.com/watch?v=LDRLsvqAHPA 

David Bazan (Pedro the Lion) cover: https://www.youtube.com/watch?v=AaidSpMRvDM 

Jason Collett (Broken Social Scene) cover: https://www.youtube.com/watch?v=O6efkYCd15Y 

 
@Eephus you might want to check this one out if you haven't already. 

28. Ordinary People (Chrome Dreams II, 2007; written and first performed in 1988)
Neil die-hards considered this his greatest unreleased song ... until it was released. Written on the same boat trip as Crime in the City and Days That Used to Be, this was unveiled at the later Bluenotes shows in 1988 and showed they were capable of much more than the often stiff performances we heard on This Note's for You.
A sprawling, Springsteenian social commentary, this tune builds up a story of people who have been beaten down by an unfair economy, and how they react to it, and punctuates it with spectacular solos by Neil on guitar and Steve Lawrence on saxophone. (Lawrence died in 1989, which is the main reason Neil never returned to the Bluenotes).
This was one of many songs Neil wrote for the Bluenotes that were played live but not included on This Note's for You. In early 1989, Neil went back into the studio with them to cut some of those songs, and produced an 18-minute version of Ordinary People, which would have been the centerpiece of a second Bluenotes album. But then Neil decided to go in a different direction, putting Crime in the City and Someday from those sessions on Freedom and shelving the rest.
As the years went by, word of this song grew; I came across it in the mid-90s when someone who was a fellow regular at the local sports bar gave me a tape of unreleased Neil songs, and when I got online and found Neil discussion groups, it was talked about endlessly, always with cries for Neil to bring it back to his repertoire.
Much to everyone's surprise, the recording from 1989 was one of several old songs Neil decided to include on 2007's Chrome Dreams II. He still has not granted our wish to bring it back to the stage, but now everyone else knows what the fuss is about. 

Studio version: https://www.youtube.com/watch?v=yaF_LBOzqKo&feature=youtu.be

Bluenote Cafe version: https://www.youtube.com/watch?v=9o4UGJTCr4Y

Live solo acoustic version from 1989: https://www.youtube.com/watch?v=Wn_qc-BXUto 

 
27. War of Man (Harvest Moon, 1992)
Another example of Neil's ability to send a socially conscious message without hectoring or overwhelming the song (which he seems to have lost in recent years), this song was an immediate favorite of mine when Harvest Moon came out. Neil's acoustic guitar and Tim Drummond's bass propel the song briskly while Neil delivers his environmentalist points with a compelling melody. The bridge sung by Linda Ronstadt, Nicolette Larson and Neil's sister Astrid is heavenly. This is ripe for conversion to a kickass electric version, but I don't think he's ever tried that.

Studio version: https://www.youtube.com/watch?v=lAauQRd0WkI

Dreamin' Man Live '92 version: https://www.youtube.com/watch?v=bf5zdLkc26I

Live version from 1999 solo tour: https://www.youtube.com/watch?v=Mq_8wA2PNIA

Live version from 2003 solo tour ("it's a song for the animals who have no say in anything"): https://www.youtube.com/watch?v=udYedQZTHxI

Live version with Heart from Bridge School Benefit 2013: https://www.youtube.com/watch?v=rXdvjV5mWc4

Live version from 2018 solo tour in Philly (woot!): https://www.youtube.com/watch?v=awtmTbY3CEk

Ann Wilson (Heart) cover with Alison Krauss: https://www.youtube.com/watch?v=UzBPV-eGOz8 

Particle Kid (Willie Nelson's son Micah) cover: https://www.youtube.com/watch?v=8JTOfaJVksg 

 
@Eephus you might want to check this one out if you haven't already. 

28. Ordinary People (Chrome Dreams II, 2007; written and first performed in 1988)
Many of Young's long songs are guitar jams with relatively minimalist lyrics.  This one turns the tables with verse after verse about different sorts of people punctuated by short solos.  I may have very well zoned out on this one but I only remember a couple of guitar solos--the horns were more prominent. 

I dug it but eighteen minutes was too much but I'm a notorious grump when it comes to long songs.

 
Many of Young's long songs are guitar jams with relatively minimalist lyrics.  This one turns the tables with verse after verse about different sorts of people punctuated by short solos.  I may have very well zoned out on this one but I only remember a couple of guitar solos--the horns were more prominent. 

I dug it but eighteen minutes was too much but I'm a notorious grump when it comes to long songs.
If it's any consolation, the live version from Bluenote Cafe is "only" 13 minutes and the acoustic version is less than 5 minutes. 

Most of Neil's wordiest songs are acoustic folk things. Ordinary People and Crime in the City, both written around the same time, are among the few wordy full-band songs he's done. 

 
iirc, this was the first thing we heard off Harvest Moon, right? Loved it right away.
Yes, it was the first promo single sent to radio stations and made Billboard's Mainstream Rock chart. However, the only song from the album released as a physical single you could buy in stores was the title track. 

 
What makes a long song okay in your book?


Yeah. I'm butting in. Sorry. 

For me, as long as I enjoy the ride. 
I'll butt in too because this is an interesting topic, especially when it comes to Neil. 

It's gotta hold my interest, whether through a good story/lyrics, good composition or good jamming. Almost all of Neil's long songs have at least one of these, so I'm fine when he goes on for a while (though a few efforts in recent years have tested my patience). 

I'm also a fan of numerous prog bands and Phish, so I have much greater tolerance for this sort of thing than eephus. I tend to have no tolerance only for things like hippie bands that suck at jamming but release 20-minute jams -- the prime example is the album version of Rare Earth's cover of Get Ready. 

 
I'll butt in too because this is an interesting topic, especially when it comes to Neil. 

I tend to have no tolerance only for things like hippie bands that suck at jamming but release 20-minute jams -- the prime example is the album version of Rare Earth's cover of Get Ready. 
That's cool. Always good to get people's views on the matter.

Bolded sounds awful. Glad I've missed it thus far in life. 

 
That's cool. Always good to get people's views on the matter.

Bolded sounds awful. Glad I've missed it thus far in life. 
I did not intend to seek it out. I randomly encountered it playing at a bar/restaurant many years ago where our office was having its holiday party. It's every bit as bad in reality as it sounds in theory. 

 
I did not intend to seek it out. I randomly encountered it playing at a bar/restaurant many years ago where our office was having its holiday party. It's every bit as bad in reality as it sounds in theory. 
I actually figured it was like that. Or like when you're in the middle of nowhere, you get one frequency, and the disk jockey dude decides he needs a cigarette or marijuana break so he just loads up a long song and goes outside kinda thing. 

 
By the way, if I hadn't commented already, I'm for sure sort of following along but have never been a big Neil fan, hence the lack of comments or effusive praise. Just sort of skimming a bit to get the man a little more fleshed out my head than he otherwise would be. 

 
Obvious reference: Rick Wakeman eat your heart out.

Had to.

What makes a long song okay in your book?
When it comes to long songs, I lean more toward jams than musical novels.  My concentration wanders after the tenth stanza.  I need to go back to "Murder Most Foul" sometime since March 2020 was such a ####show.

I also like artists who try things with form, e.g. suites of conceptually connected material.

 

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